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Entertainment Media Analysis Report
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(2005), PG [PG*] (1hr 21min)

Analysis Date
CAP Final Score
CAP Influence Density
Nov ember 24, 2005
81 out of 100

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Christian Long Distance

(This section may be and sometimes is somewhat subjective.)

If Scriptural references appear, the full text appears at the end of the Summary / Commentary.

(2005), PG [PG*] --...contains enough questionable morality to warrant your scrutiny...

Cast/Crew Details Courtesy Internet Movie Database
Production (US): Time Productions Inc., Robert Simonds Productions, Columbia Pictures Corporation, Nickelodeon Movies, Paramount Pictures, Sony Pictures Entertainment
Distribution (US): Paramount Pictures, Metro-Goldwyn-Mayer (MGM)
Director(s): Raja Gosnell
Producer(s): Ira Shuman, Robert Simonds, Richard Suckle, Richard Suckle, Tracey Trench
Screenpaly (2005): Ron Burch, David Kidd
Screenplay (1968): Melville Shavelson, Mort Lachman
Motion Picture Story (1968): Madelyn Davis, Bob Carroll Jr.
Cinematography/Camera: Theo van de Sande
Music: Christophe Beck
Film Editing: Steve Rotter
Casting: Shalimar Reodica, Mary Vernieu
Production Design: Linda DeScenna
Art Direction: James Nedza
Viewed At: Driftwood Theater 6

Yours, Mine & Ours (PG [PG) is a somewhat touching film with a relatively large emotional swing from light-hearted comedy to potential disaster for a whirlwind marriage. But these are subjective matters for your discovery should you decide that what we reveal about this film is fit for your family. That is what we do. We tell you what is there in accordance with the teachings and expectations of Jesus. You decide whether it is fit for your kids, so unlike the MPAA which, whether intentional, by assigning an age stratum to their classifications decides for you the fitness of a film for what age. Such are restrictions are not the MPAA's job. Nor mine. That is your job.

Widower Admiral Frank Beardsley (Dennis Quaid) has eight children with no wife. They are William (Sean Faris), Christina (Katija Pevec), Harry (Dean Collins), Michael (Tyler Patrick Jones), Kelly (Haley Ramm), Ely (Brecken Palmer), Otter (Bridger Palmer) and Ethan (Ty Panitz). The lot are quite well behaved and respectful. The Beardsley family is a good example of conservative (except for the skirt the teen girl wears to school). Admiral Beardsley runs a tight ship at home as well as in the Coast Guard.

Widow Helen White (Rene Russo), Helen North since marriage, has ten kids: four biological and six adopted (I can relate to that if you want to know more). They are Dylan (Drake Bell), Naoko (Miki Ishikawa), Mick (Slade Pearce), Jimi (Little JJ), Joni (Miranda Cosgrove), Lao (Andrew Vo), Bina (Jennifer Habib), Marisa (Jessica Habib) and Aldo (Nicholas Roget-King). They are definitely not conservative. Free expression is a better description of their lifestyle and is used a number of times by the film.

Frank and Helen were high school sweethearts. The king and queen of the graduation prom I believe.

After suffering multiple moves by the Coast Guard, the Beardsley kids are ready to settle down. They suggest Admiral Frank to do just that. Politely, of course.

One day in a restaurant on a blind date (with the ex-wife of one of his staff), Frank meets Helen who was entertaining a client. This was the first time they had met since high school. An old flame seemed to flare in both. The flame flared enough to lead to marriage that same night.

Not having adequate quarters in their respective abodes, Frank moves the family of twenty into an old lighthouse that has many rooms. Soon the friction between the kids builds to the ignition point. Not long after the marriage the kids unite and plot to break up the marriage so they may return to their former lives.

This film is a remake of a 1968 film of the same title starring Henry Fonda and Lucille Ball. But not having seen or analyzed the 1968 version, I cannot say whether it presents more or less youthful arrogance than the 2005 version. The trend of modern films would say it does, but I have no proof of it.

While I can make no comparison with the 1968 version, this film contains enough questionable morality to warrant your scrutiny prior to taking your family to see it.

While this 2005 version is certainly not a violent film beyond slapstick and wrestling violence, it does contain a notable number of examples of disrespect, arrogance and rebellion against fair authority, namely parental plus two uses of the three/four letter word vocabulary. And though it may be expected of adolescents to flair at parents it is not right for them to do so, especially when they are conspiring to break up their parents. [Exod. 20:12 which calls for atention to Eph. 6:4]

Sexually oriented programming is mostly limited to pushing the moral envelope with short skirts, kissing and physical contact between students in school, implication of wearing "naughty" underwear and a rude gaze. [Prov. 30:12]

Illegal drugs are not even mentioned and alcoholic beverage consumption is limited to social drinking by adults. There was what Hollywood thinks is a teen party without adult supervision, but no evidence of drinking alcoholic beverages was noted. Though drinking of alcoholic beverages in this film is quite "lite" in comparison to many films, such a demonstration has a potential to plant emboldenment in your youth. [Eph. 5:18]

Offense to God was limited to a few uses of God's name in vain, once by an adolescent. [Deut. 5:11] Murder or suicide was not noted.

The objective listing of direct observations in the Findings/Scoring section is, as always, your best source of help to make your own informed moral decision whether the film is or is not fit for your family.


If needed to focus or fortify, applicable text is underlined or bracketed [ ] or bold. If you wish to have full context available, the Blue Letter Bible is a convenient source. If you use the Blue Letter Bible, a new window will open. Close it to return here or use "Window" in your browser's menu bar to alternate between the CAP page and the Blue Letter Bible page.


  • Exod. 20:12 Honor your father and your mother, so that you may live long in the land the LORD your God is giving you
  • Eph. 6:4 And, ye fathers, provoke not your children to wrath: but bring them up in the nurture and admonition of the Lord. ["Wrath" is not simple anger, for example, when denied social privileges as discipline. Wrath is, for example, that which one might feel when abused.]
  • Prov. 30:12 There is a generation that are pure in their own eyes, and yet is not washed from their filthiness. [The tease of more and more exposure of skin year after year is a perfect example of "pure in their own eye" for what do you suppose is the reason for showing more and more skin?]
  • Eph. 5:18 Do not get drunk on wine, which leads to debauchery. Instead, be filled with the Spirit. ["Wine" can be any intoxicating substance including illegal drugs or abuse of prescription drugs. This issue is do not get drunk. Though it is not a sin to drink, it is a sin to get drunk OR to influence to get drunk or to drink in defiance. A study by the American College of Physicians (ACP) has found an undeniable link between the presentation of alcoholic beverages and tobacco in and as entertainment and abuse of them by adolescents. And teaching/causing youth to abuse alcohol/tobacco (or drugs) by emboldening youth with them in and as entertainment invokes Luke 17:2]
  • Deut. 5:11 Thou shalt not take the name of the LORD thy God in vain: for the LORD will not hold him guiltless that taketh his name in vain. [Vain is shav' {shawv}: emptiness, nothingness, vanity, such as an expletive. With or without the four letter expletive, the use of God's name in any way other than respect, reverence or thoughtful discussion is in vain. That includes the popular three syllable sentence with His name trailing it AND the misuse of Jesus' name.]

    ***Selected Scriptures of Armour against the influence of the entertainment industry***
  • Ps. 12:8 The wicked freely strut about when what is vile is honored among men [e.g., create progressively vile/offensive entertainment with impunity and no consequences to younger and younger audiences every year when enough people continue to defend it, embrace it, pay for it, enjoy it, want it].
  • Col. 2:8 Beware lest any man [by his influence] spoil you through philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ.
  • 1 Cor. 15:33 Be not deceived: evil communications corrupt good manners.
  • Rom. 5:19 For as by one man's disobedience many were made sinners, so by the obedience of one shall many be made righteous.
  • Jude 1:4 For there are certain men* crept in unawares [secretly slipped in among you], who were before of old ordained to this condemnation [whose condemnation was written about long ago], ungodly men, turning the grace of our God into lasciviousness [a license for immorality], and denying the only Lord God, and our Lord Jesus Christ. [*men: anthropos {anth'-ro-pos}, generic, a human being, whether male or female]
  • Matt. 25:40 And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto [or for] one of the least of these my brethren, ye have done it unto [or for] me.
  • Luke 17:2 It were better for him that a millstone were hanged about his neck, and he cast into the sea, than that he should offend one of these little ones. ["Offend": skandalizo - to entice to sin; to cause a person to begin to distrust and desert one whom he ought to trust and obey; to cause to fall away. "Little ones": mikros - little;, small of age; younger which can include at-home teens].
  • Ps. 119:133 Order my steps in thy word: and let not any iniquity have dominion over me [let no sin rule over me].
  • John 14:15 If ye love me, keep my commandments.
  • 1 Thess. 5:22 Abstain from all appearance of evil. ["Evil" includes all things that are sinful.]


    As always, it is best to refer to the Findings/Scoring section -- the heart of the CAP analysis model -- for the most complete assessment possible of this movie.
    (The objective heart of the CAP Analysis Model, independent of and insulated from the Summary/
    Commentary section.

    Yours, Mine and Ours (2005) CAP Thermometers

    Wanton Violence/Crime (W)
  • slapstick violence
  • wrestling violence on a background TV

    Impudence/Hate (I)
  • two uses of the three/four letter word vocabulary
  • disrespect for fair authority, repeatedly
  • disrespect for property
  • gross-out humor
  • social warfare/cruelty between children, bully tactics, repeatedly
  • conniving against parents
  • teen party without permission and contempt for rules

    Sexual Immorality (S)
  • short skirts on teen
  • excessive cleavage
  • sexual innuendo
  • group of kids in underwear and towels only
  • kissing/physical contact between teens in school
  • implication of wearing sensual underwear
  • rude gaze

    Drugs/Alcohol (D):
  • dinner drinking, repeatedly

    Offense to God (O)
  • four uses of God's name in vain without the four letter expletive,once by an adolescent

    Murder/Suicide (M)
  • none noted

  • Christian Educators Association International



    There are some in the entertainment industry who maintain that 1) violent programming is harmless because no studies exist that prove a connection between violent entertainment and aggressive behavior in children, and 2) young people know that television, movies, and video games are simply fantasy. Unfortunately, they are wrong on both accounts." And "Viewing violence may lead to real life violence." I applaud these associations for fortifying 1 Cor. 15:33. Read the rest of the story. From our more than eight years of study, I contend that other aberrant behaviors, attitudes, and expressions can be inserted in place of "violence" in that statement. Our Director - Child Psychology Support, a licensed psychologist and certified school psychologist concurs. For example, "Viewing arrogance against fair authority may lead to your kids defying you in real life." Or "Viewing sex may lead to sex in real life." Likewise and especially with impudence, hate and foul language. I further contend that any positive behavior can be inserted in place of "violence" with the same chance or likelihood of being a behavior template for the observer; of being incorporated into the behavior mechanics and/or coping skills of the observer. In choosing your entertainment, please consider carefully the "rest of the story" and our findings.

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