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A ministry of the ChildCare Action Project: Christian Analysis of American Culture (CAP Ministry) A 501(c)(3) Nonprofit Christian Ministry. www.capalert.com/ Entertainment Media Analysis Report A service to His little ones through you in His name by His Word MAR2011.082.4 (2006), PG [PG*] (1hr 24.5min) The #1 Christian entertainment media analysis service on the Internet. We give you OBJECTIVE tools NO ONE ELSE CAN to help YOU make an informed decision for yourself whether a film is fit for your family. Over 1300 analyses for parents, grandparents, pastors, youth leaders and more. |
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(While the Scriptural references are certainly not subjective, my commentary may be and sometimes is somewhat subjective.)
Production (US): Alpine Medien Productions, Larry Levinson Productions, RHI Entertainment Distribution (US): Fox Faith, The Bigger Picture Director(s): Michael Landon, Jr. Producer(s): Brian J. Gordon, Erik Olson, Michael Landon, Jr., Nick Lombardo, H. Daniel Gross, Michael Moran, Robert Halmi, Jr., Larry Levinson, Amy Goldberg Teleplay by: Michael Landon, Jr., Doouglas Llyod McIntosh, Bridget Terry Novel: Jeanette Oke Cinematography/Camera: Brian Shanley Music: Kevin Kiner Film Editing: Collen Halsey Casting: Penny Perry, Amy Reece Production Design: Niko Vilaivongs Art Direction: Eugene Wyrick Viewed Fox Home Entertainment DVD This is our analysis of the fourth in the series of eight films based on the books by best-selling author Jeanette Oke. It is 1885, eight years since Willie (Logan Bartholomew) and Missie LaHaye (Erin Cottrell) were married. The pair have solidly planted roots near Tettsford Junction. Missie continues her passion for teaching and Willie continues to build the cattle ranch with their sons Jeff (Drew Tyler Bell) and Matthew (Brett Coker). Missie's father Clark (Dale Midkiff) finally finds an opportunity to come and visit. But now, a tragedy strikes Willie and Missie. Their infant daughter Kathy suffers a sudden infant death which drives an emotional wedge between Willie and Missie. Missie has lost her will to teach. Willie accepts a previous offer from wealthy Mayor Samuel H. Doros (John Laughlin) to help make ends meet. Willie becomes the town sheriff - and a good one. Adopted Jeff becomes smitten with the mayor's daughter Colette (Mae Whitman), But along with Colette comes trouble. Not just from her. And not just for Jeff. Wanton Violence/Crime (W) - 57 out of 100 Framing. Extortion. Threats. The mayor is good at these.. [Ezek. 22:12] A drunken Joe Paxton (Blake Gibbons) endangers the Tettsford Junction townspeople by shooting up the town with reckless gunfire in anger at Mayor Doros' uncaring dealings. Erin Cottrell gives a very believable performance in a screaming tantrum at the loss of their baby girl, Kathy Again it is advisable to remind our readers of God's Word about violence. He warns that violence is "catching" and can lead one into a "way that is not good." [Prov. 16:29] And, probably unknowingly, man echoes God with four public health agencies jointly publishing their finding that states "Viewing violence may lead to real life violence" and "Children exposed to violence are more likely to assume the acts of violence are acceptable behavior." Impudence/Hate (I) - 72 out of 100 In her emotional distress, Missie walks out of the schoolhouse, leaving the class full of students without adult supervision. The mayor's daughter, Colette blames her father's reaction to her misdeed on his rudeness, sneaks out at night to meet Jeff and expresses arrogance at her father. Whether Collette's cinematic arrogance is deserved by her father is not our call to make. And she lies to her father. God insists we honor our father and mother [Exod. 20:12]: that errant parents will answer to Him. [Matt. 18:10] Maybe God will use tools and vehicles on Earth to visit His Justice on errant parents but let us not try to be God. Let God be God. Sexual Immorality (S) - 92 out of 100 Also in this episode the writers have Bartholomew and Cottrell snuggling in bed. So the same standards apply. While marriage is blessed as the two are one in the sight of God, Bartholomew and Cottrell are not married. Things married folks do are private and not for public display. To put Bartholomew and Cottrell in a bed together snuggling as a married couple, even when clothed, is inappropriate. "Acting" does not excuse it. Though not likely in this setting, such display might invoke desire and desire gives birth to sin. [Hebr. 13:4, James 1:15] Drugs/Alcohol (D) - 53 out of 100 Joe Paxon shows up dropping a whiskey bottle and is drunk. His drunkenness emboldens him to threaten to kill and endanger many with reckless gunfire. Mayor Doros smokes a cigar a number of times. As a saloon and drinking might to be icons of the Old West, exposing children to booze and drinking (and smoking) in and as entertainment carries dangers. A 2002 study by the American College of Physicians (ACP) revealed that adolescent exposure to drinking in and as entertainment undeniably leads to abuse of alcohol among underage viewers. The finding entitled Relation Between Parental Restrictions on Movies and Adolescent Use of Tobacco and Alcohol reports that of 4544 youths from grades 5 through 8 of fifteen Vermont and New Hampshire middle schools (90% of the youths were under fourteen years old) only 16% were completely restricted in their entertainment diets. Within the ACP study population, the prevalence of having tried alcohol without parental knowledge was Offense to God (O) - 84 out of 100 In their grief, Willie and Missie utter God's name in vain three times. [Deut. 5:11] While the situation may have been desperation, it is not acceptable to God to use His name as an expletive to fill out a sentence. Maybe their cinematic baby died but in real life no one died. "Acting" does not excuse sin especially since the "acting" may cause (and has caused) others to stumble. [1 Cor. 8:9] Murder/Suicide (M) - 100 out of 100 No murders or suicides were found. SCRIPTURAL APPLICATION(S) If needed to focus or fortify, applicable text is underlined or bracketed [ ] or bold. If you wish to have full context available, the Blue Letter Bible is a convenient source. If you use the Blue Letter Bible, a new window will open. Close it to return here or use "Window" in your browser's menu bar to alternate between the CAP page and the Blue Letter Bible page. CHAPTER/VERSE ***Selected Scriptures of Armour against the influence of the entertainment industry*** As always, it is best to refer to the Findings/Scoring section -- the heart of the CAP analysis model -- for the most complete assessment possible of this movie. |
(The objective heart of the CAP Analysis Model, independent of and insulated from the Summary / Commentary section.) Wanton Violence/Crime (W) - 57 out of 100 Impudence/Hate (I) - 72 out of 100 Sexual Immorality (S) - 92 out of 100 Drugs/Alcohol (D) - 53 out of 100 Offense to God (O) - 84 out of 100 Murder/Suicide (M) - 100 out of 100 |
There are some in the entertainment industry who maintain that 1) violent programming is harmless because no studies exist that prove a connection between violent entertainment and aggressive behavior in children, and 2) young people know that television, movies, and video games are simply fantasy. Unfortunately, they are wrong on both accounts." And "Viewing violence may lead to real life violence." I applaud these associations for fortifying 1 Cor. 15:33. Read the rest of the story. From our years of study, I contend that other aberrant behaviors, attitudes, and expressions can be inserted in place of "violence" in that statement. Our Director - Child Psychology Support, a licensed psychologist and certified school psychologist concurs. For example, "Viewing arrogance against fair authority may lead to your kids defying you in real life." Or "Viewing sex may lead to sex in real life." Likewise and especially with impudence, hate and foul language. I further contend that any positive behavior can be inserted in place of "violence" with the same chance or likelihood of being a behavior template for the observer; of being incorporated into the behavior mechanics and/or coping skills of the observer. In choosing your entertainment, please consider carefully the "rest of the story" and our findings. |
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For G rated Films with G equivalence: G PG equivalence: PG-G PG-13 equivalence: 13-G R equivalence: R-G< | For PG rated Films with G equivalence: G-PG PG equivalence: PG PG-13 equivalence: 13-PG R equivalence: R-PG | For PG-13 rated Films with G equivalence: G-13 PG equivalence: PG(13) PG-13 equivalence: PG-13 R equivalence: R-13 | For R rated Films with G equivalence: G-R PG equivalence: PG-R PG-13 equivalence: 13-R R equivalence: R | For NR rated Films with G equivalence: G-NR PG equivalence: PG-NR PG-13 equivalence: 13-NR R equivalence: R-NR |