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(2008), PG-13 [Lite PG-13*] (1hr 39min)
With Comparative to the 1951 Original

Final Score
Analysis Date
Date Posted
Influence Density
April 11, 2009
April 18, 2009

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Christian Long Distance

(While the Scriptural references are certainly not subjective, my commentary may be and sometimes is somewhat subjective.)

If Scriptural references appear, the full text appears at the end of the Summary / Commentary.

(2008), PG-13 [Lite PG-13*] ..."At the precipice we change."

Cast/Crew Details Courtesy Internet Movie Database
Production (US): 20th Century Fox, 3 Arts Entertainment, Earth Canada Productions Distribution (US): 20th Century Fox
Director(s): Scott Derrickson
Producer(s): Paul Harris Boardman, Gregory Goodman, Erwin Stoff, Marvin Towns Jr.
Written by: David Scarpa (Screenplay)
Cinematography/Camera: David Tattersall
Music: Tyler Bates
Film Editing: Wayne Wahrman
Casting: Heike Brandstatter, Mindy Marin, Coreen Mayrs
Production Design: David Brisbin
Art Direction: Don Macaulay
Viewed on Fox Home Entertainment DVD

This analysis report is sponsored by the congregation of The Chapel of the Good Shepherd and E&HP.

Hollywood has portrayed for years that people will act like criminals and thieves during mass disasters such as in The Day the Earth Stood Still (2008). Such is not likely the truth. I prepared a white paper for a commercial nuclear power company to forecast the response of people to mass evacuations. Studying numerous actual disaster evacuations revealed that people did not generally respond with looting and mayhem: that people generally respond more in organized camaraderie and self-sacrifice; that looting and such did occur (more by individuals than "mobs") but to a much lesser degree than implied by Hollywood; that looting is more associated with rioting and other forms of civil unrest than disasters. So much for Hollywood's movies being like "real life" which so many youths have tried to claim in defense of the content of films. Manufactured looting with mayhem with disasters is just one example of the false "teachings" of movies.

So, as I have preached for years, using films to teach not how to behave too often teaches how not to behave. Further, for so long movies have been given so much credit for being like real life that real life has become like the movies. Real life cannot be learned at the movies. It takes a lot more than exposure to manufactured life in film to learn how to manage life.

I could go on and on with example after example but won't. I am certain the caliber of intellect of our readers is quite capable of capturing the intent.

The film's Nobel prize winner Dr. Jacob Barnhardt (John Cleese) said "At the precipice [edge of disaster] we change." What Dr. Barnhardt is referring to is we as a people seem to change our destructive habits only when we are faced with destruction ourselves. Quite a poignant point indeed. Visiting alien Klaatu (Keanu Reeves) tangently touches on Dr. Barnhardt's profound wisdom with "If the earth dies, you [mankind] die. If you die the Earth survives." That is the theme of the entire show ... that man must be eliminated from the face of the earth so the Earth may be restored and made ready for some other worthy life form since, as Klaatu claims, there are so few planets in the universe capable of supporting complex life forms.

Such is Klaatu's goal in this 2008 "remake" of the 1951 classic of the same title. With the help of a supremely powerful robot named GORT, Klaatu's goal in the 1951 version was to reduce the planet to a "burned out cinder" if man took his violent aggressions into space. But this time, in 2008, Klaatu's goal was to rid the planet Earth of mankind and save earth from mankind.

The film opens in 1928 and leads the viewer to believe an extraterrestrial globe about ten feet in diameter came to earth to obtain some DNA samples from a human in order to plant one of "theirs" on the earth to start the process of eliminating man from the earth. The man who provided the unwelcome theft of his DNA looked strangely like the quintessential character, Klaatu, who arrived on Earth 80-some-odd years later in a globe the same as but much larger than the one in 1928 to begin global homicide.

Astronomical observers noted a object near Jupiter traveling at 3e7 (30,000,000) meters per second. The speed of light is 3e8 (300,000,000) meters per second (actually 299,792,458 meters per second or approximately 186,282.4 miles per hour). First thought to be a meteor or comet of unprecedented speed the object changed course, heading for Manhattan, New York. If the object hit the Earth at that speed it would mean total obliteration of the Earth. But when the object approached the Earth it slowed down and landed in Central Park. Now this huge translucent ball-shaped space ship with what looked like global electrical storms inside it lay silent and motionless in Central Park.

Of course, the government gathered massive ordnance to combat what is perceived as a threat. The government also amassed a large group of scientists to provide technical and scientific support services.

Enter the picture Dr. Helen Benson (Jennifer Connelly), the counterpart for Department of Commerce secretary Helen Benson (Patricia Neal) of the 1951 version. The stage name is just about all that is common between the two Bensons. In this 2008 version, Dr. Benson of the New Jersey based Princeton University is an astrobiologist who was "abducted" by the government for reasons of national security to be part of a team of scientists to study the space ship. So important was the government's plans for Dr. Benson that they shut down their two of the four lanes of the highway to a miltary base to ensure her arrival.

The 1951 Benson met Klaatu (Michael Rennie) as Mr. Carpenter quite some time after the beginning of the movie as he sought a room in Mrs. Barley's (Francis Bavier) house where Benson boarded with her son, Bobby (Billy Gray). While an Army captain was first to meet Klaatu in the 1951 version, in this 2008 version Benson was the first to meet Klaatu as he emerged from the globe spaceship.

In both the 1951 and the 2008 versions the first thing that happened to Klaatu after setting foot on the Earth is he is shot by a trigger-happy soldier. Of course, the gunshot injury was much more graphic in this "modernization" of the original. In the 1951 version, Benson was not yet introduced but in the 2008 version Klaatu fell into Benson's arms after being shot.

The "Klaatu barada nikto!" expression is somewhat famous but is used incorrectly in this 2008 version. In both versions an intimidating robot named GORT appeared after Klaatu was shot. In this 2008 version Dr. Benson was kneeling with the injured Klaatu in her arms as GORT (Genetically Organized Robotic Technology in this 2008 version) appeared and used high frequency sound to temporarily incapacitate all nearby humans plus some sci-fi force to disable all electrical devices. Here, in the 2008 version, the injured Klaatu told GORT "Klaatu barada nikto!" At that command GORT ceased his aggressive posture. In the 1951 version when GORT (Lock martin) appeared after Klaatu was shot, it proceeded to melt all of man's weaponry to which the injured but alone Klaatu ordered "GORT! Deklato prosko!" which caused GORT to stand down. In the original 1951 version the "Klaatu barada nikto" expression appeared when Klaatu told the 1951 Benson during a military chase to capture him, dead or alive, to tell GORT "Klaatu barada nikto" if anything happened to Klaatu.

Note also that the 1951 version was based in Washington DC but this 2008 version is based in New York City, in Central Park to be precise. Klaatu is rushed off for medical aid. In the 1951 version Klaatu was rushed off to the Walter Reed Hospital. No mention was made as to where Klaatu received medical aid in the 2008 version.

While receiving medical aid the surgeon finds that the alien is a being encased in a bio-engineered space suit which resembled human placenta which makes sci-fi sense since the Earth-bound Klaatu was born just a few hours earlier which does not make sense. Surgically removing the spacesuit revealed the very nude Klaatu. There is yet one more measure of the "modernization" of the film. There was absolutely no nudity of any kind in the 1951 version. Klaatu uses mental powers to escape from the clutches of the government to roam among those he plans to destroy: to implement plans of total annihilation of mankind.

In the 1951 version GORT is capable of destroying all life on Earth with his cyclops ray and herculean strength and invulnerability. The 2008 version offers a diversion from that device. The 2008 GORT began annihilation of mankind by reducing himself to microscopic replicating parasites that looked a lot like crickets. But these "crickets" could consume an 18-wheel truck and driver or a colosseum in seconds. They could even consume diamond. SPOILER: But in the end Klaatu's heart softens because, though Benson's love of her son and a couple other moments of self-sacrifice of humans, Klaatu sees another "side" of humanity and deploys an energy wave from the mother ship that eradicates all the parasites.

Kathy Bates as Secretary of Defense adds new dimension to the story as the eyes and ears of the President who is in hiding. Bates may be a replacement for Mr. Harley (Frank Conroy), Secretary to the President but Conroy's role is much more benevolent than Bates'.

Benson's son, Bobby of the 1951 version, whose Army father was killed in Anzio, is replaced by Jacob (Jaden Smith) who takes the youthful contribution in a completely different direction than Gray. Jacob, whose mother died a year after Jacob's birth, is the son of a engineering soldier killed in the line of duty a year earlier and ten years after Helen married him. Smith promises to be a fine thespian but the writers, of course, had him being a mouthy, rebellious kid. There is another example of the "modernization" of the original.

Jon Hamm serves as Michel Granier of the scientific team assembled to combat the alien threat. This character is more fill and sidekick than support but provides some connectivity between subplots.

In a subjective sense, Reeves is upstaged by Connelly. She has more screen time and is undoubtedly better at her part than he at his.

On to that for which most of our readers come. Immediately following is a comparative of the scoring data for both versions of this film.

One can easily see the decline of morality as shown by the much lower scoring distribution earned by the 2008 version. The shorter the column of "mercury" in a thermometer (and thus the lower the area score) the more the severity and/or frequency of assaults on morality and decency found in that investigation area. The content of the 2008 version found by each investigation area except the Drugs/Alcohol reveals a decline in the wholesomeness of the content: more assaults on morality and decency in comparison to the 1951 version. Such a decline from an original and its remake is quite common. Indeed, I cannot remember any original/remake pair that did not show a "modernization" of morality in the remake.

Next are brief discussions of the content found by the six individual investigation areas.

Wanton Violence/Crime (W) - Zero out of 100
This film is, as are many PG-13 films, equivalent in magnitude to the violence content of many R-rated films, not so much due to the severity of individual issues of violence/crime but due to of the number of them (see CAP Rule of 1000 for more information on this loading technique). The most scoring-expensive examples of violence include a graphic depiction of firearm assault and action violence sequences with graphic death. The surgical procedure used to remove Klaatu's "placenta" is somewhat graphic, too, as the viewer watches the scalpel penetrate the tissues and watches the tissues slough off. Also of rather graphic assault are some matters of death by the fantasy parasites, repeatedly. Though it is probably not likely such demonstrations of violence will entice the viewer into similar violence, such influence can transpose into seemingly unrelated violent behaviors. Feeding our minds with violence of any kind squarely flies n the face of God's Word. [Prov. 16:29]

Impudence/Hate (I) - 73 out of 100
There is but one use of profanity in the entire 99 minutes of the film. [2 Tim. 2:16, Prov. 8:13, Isa. 13:11] The rest of the loss of the 27 of the starting 100 points of this investigation area is due to adolescent arrogance and rebellion toward fair authority and lies/deceit. [Rev. 21:8]

Sexual Immorality (S) - 70 out of 100
Quintessential to the loss of points in this investigation area is the full side nudity of Reeves (or a stand-in) in two separate views. [**] One might argue that it is truth that all warm-blooded creatures are born nude to excuse Reeves' nudity. To that let me remind the defender that warm-blooded creatures do not come out of the placenta as an adult. Presenting the nudity in this film (or any other film) is no more than Hollywood milking nudity to draw the adolescent moviegoing dollar. Period. In addition, having a child speak of cohabitation as a viable option and the inappropriate touching of Connelly by a soldier as he captures her from behind each took their scoring toll.

Drugs/Alcohol (D) - 90 out of 100
The only instance of drugs/alcohol is the drunkenness of the pickup driver and his passenger as they drove Klaatu, Helen and Jacob to Jacob's father's grave site. One might think "big deal" but the American College of Physicians thinks otherwise.

A 2002 study by the American College of Physicians (ACP) revealed that adolescent exposure to drinking in and as entertainment undeniably leads to abuse of alcohol among underage kids. The finding entitled Relation Between Parental Restrictions on Movies and Adolescent Use of Tobacco and Alcohol reports that of 4544 youths from grades 5 through 8 of fifteen Vermont and New Hampshire middle schools (90% of the youths were under fourteen years old) only 16% were completely restricted from viewing R-rated movies. Within the ACP study population, the prevalence of having tried alcohol without parental knowledge was

  • 46% for those with no viewing restrictions
  • 16% for those with partial viewing restrictions
  • four percent for those with complete viewing restrictions.

    The researchers selected R-rated movies because they assumed R-rated movies typically present more drinking than movies of other classifications. This assumption is no longer true. The researchers were not aware of the matter of R-13 proven by this ministry in 2000 with which Harvard University scientists agreed four years later. The bottom line? The focus is that the influence of adolescent exposure to drinking (and smoking) in and as entertainment is undeniable regardless of the Motion Picture Association of America (MPAA) classification. [Eph. 5:18]

    Rather revealing of the influences of the entertainment industry wouldn't you say? And emboldening children to sin with drink in and as entertainment screams of violating Luke 17:2.

    Offense to God (O) - 66 out of 100
    Three uses of God's name in vain (without the four letter expletive) [Deut. 5:11], mockery of faith-based activities and positions, and lauding the Earth over humans were the only matters in applicable to this investigation area.

    Murder/Suicide (M) - 90 out of 100
    Klaatu murdering a police officer by sandwiching him between two cars is the only matter of murder or suicide, Klaatu reviving/healing the officer notwithstanding.

    I keep getting queries about how I can notice so many things in films many folks say they don't notice. This note is an attempt to help you understand.

    Sherlock Holmes was portrayed with exceptional powers of observation. Another way of thinking about powers of observation is attention to detail. God has given me strong attention to detail. A couple examples of this can be found in this The Day the Earth Stood Still (2008).

    When Helen Benson was "abducted" by the federal government with all the police cars and their flashing lights, one can see the casting of their emergency light beams through her house curtains and it is obvious the emergency lights are rotary. But not a single one of the police cars had rotary emergency lights. All of them were stroboscopic. How may of you caught that?

    Also, when the government agent was confirming Benson's identity when Helen told them there must be some mistake, the agent used Helen's social security number to provide the confirmation of Helens' identity. But how many noticed the number was only nine digits instead of the standard ten-digit number?

    I hope this assures each of you that if I make a claim of the content of a film it is indeed present.


    If needed to focus or fortify, applicable text is underlined or bracketed [ ] or bold. If you wish to have full context available, the Blue Letter Bible is a convenient source. If you use the Blue Letter Bible, a new window will open. Close it to return here or use "Window" in your browser's menu bar to alternate between the CAP page and the Blue Letter Bible page.


  • Prov. 16:29 A violent man entices his neighbor and leads him down a path that is not good. [The issue is the violence, no matter how "small" it might seem, and its effect on an observer. "A violent man" can be a man, woman OR the men/women/characters demonstrating the violent behavior/action on the screen whether for good or evil. Knowing of Prov. 16:29 you now know why violence, especially in and as entertainment, can embolden the viewer into aggression, especially youth. See Joint Statement on the Impact of Entertainment Violence on Children: Congressional Public Health Summit for more information. Further, God speaks darkly of violence 56 times in the Old and New Testament of the KJV. And see 1 Cor. 15:33 below.]
  • 2 Tim. 2:16 But shun profane and vain babblings: for they will increase unto more ungodliness.
  • Rev. 21:8 But the [unforgiven] fearful [deilos {di-los'}; timid, cowardly], and unbelieving, and the abominable, and murderers, and whoremongers [sexually immoral], and sorcerers [all forms of evil/magic to force or do harm], and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death.
  • Prov. 8:13 The fear of the LORD is to hate evil: pride, and arrogancy, and the evil way, and the froward mouth, do I hate. ["Froward" is perverse. "Perverse" is aside from the right path, to pervert, to corrupt. "Froward mouth" then includes profane speech. And arrogance is what emboldens and propels one to use profane speech.]
  • Isa. 13:11 I will punish the world for its evil, the wicked for their sins. I will put an end to the arrogance of the haughty and will humble the pride of the ruthless. [Yes, it is arrogance and haughtiness against wholesome which gives us the impudence to speak profanity.] ** "Nakedness" (display of nudity) is spoken of as dark, restricted, undesirable, shameful, etc. 47 times in the KJV from Genesis to Revelation. For example, Ezek. 16:36 "Thus saith the Lord GOD; Because thy filthiness was poured out, and thy nakedness discovered through thy whoredoms with thy lovers,..." thus associating display of nakedness with ill repute. What makes display of nudity okay in entertainment/art if it is not okay in flesh? God even advised the priests not to climb the steps to the altar lest the wind expose their nudity to the people below in Exodus 20:26 "Neither shalt thou go up by steps unto mine altar, that thy nakedness be not discovered thereon."
  • Eph. 5:18 Do not get drunk on wine, which leads to debauchery. Instead, be filled with the Spirit. [Since "drunk" is methusko {meth-oos'-ko}: to intoxicate; make drunk; to get drunk; become intoxicated, "wine" can be any intoxicating substance including illegal drugs or abuse of prescription drugs. The issue is do not abuse the body by intoxicating it [1 Cor. 6:19]. Though it is not a sin to drink, it is a sin to get drunk OR to influence to get drunk OR to drink in defiance such as underage drinking.
  • 1 Cor. 6:19 What? know ye not that your body is the temple [naos {nah-os'}: metaph. the spiritual temple consisting of the saints of all ages joined together by and in Christ] of the Holy Ghost which is in you, which ye have of God, and ye are not your own?
  • Deut. 5:11 Thou shalt not take the name of the LORD thy God in vain: for the LORD will not hold him guiltless that taketh His name in vain. [Vain is shav' {shawv}: emptiness, nothingness, vanity, such as an expletive. With or without the four letter expletive, the use of God's name in any way other than respect, reverence or responsible discussion is in vain. That includes the popular three syllable sentence with His name trailing it AND the misuse of Jesus' name or title.]

    ***Selected Scriptures of Armour against the influence of the entertainment industry***
  • Jer. 37:9 This is what the LORD says: Do not deceive yourselves, thinking, 'The Babylonians [the destroyers from within] will surely leave us.' They will not!
  • Ps. 12:8 The wicked freely strut about [e.g., create progressively vile/offensive entertainment with impunity and no consequences and present it to younger and younger audiences every year] when what is vile is honored among men [when enough people continue to defend it, embrace it, enjoy it, want it, submit to it. I call attention to Ps. 12:8 to warn of the creeping desensitizing power of "entertainment."]
  • Col. 2:8 Beware lest any man [by his influence] spoil you through philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ.
  • 1 Cor. 15:33 Be not deceived: evil [kakov: of a bad nature, not such as it ought to be] communications corrupt good manners.
  • Rom. 5:19 For as by one man's disobedience many were made sinners, so by the obedience of one shall many be made righteous.
  • Jude 1:4 For there are certain men* crept in unawares [secretly slipped in among us], who were before of old ordained to this condemnation [whose condemnation was written about long ago], ungodly men, turning the grace of our God into lasciviousness [a license for immorality], and denying the only Lord God, and our Lord Jesus Christ. [*men: anthropos {anth'-ro-pos}, generic, a human being, whether male or female]
  • Matt. 25:40 And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.
  • Luke 17:2 It were better for him that a millstone were hanged about his neck, and he cast into the sea, than that he should offend one of these little ones. [Offend: skandalizo {skan-dal-id'-zo} - scandalize; to entice to sin; to cause a person to begin to distrust and desert one whom he ought to trust and obey; to cause to fall away.]
  • Ps. 119:133 Order my steps in thy word: and let not any iniquity have dominion over me [let no sin rule over me].
  • John 14:15 If ye love me, keep my commandments.
  • 1 Thess. 5:22 Abstain from all appearance of evil. ["Evil" includes all things that are sinful.]


    As always, it is best to refer to the Findings/Scoring section -- the heart of the CAP analysis model -- for the most complete assessment possible of this movie.
    (The objective heart of the CAP Analysis Model, independent of and insulated from the Summary / Commentary section.)

    The Day the Earth Stood Still (2008) CAP Thermometers

    Wanton Violence/Crime (W) - Zero out of 100
  • alien presence assault on human
  • action violence - tonadic draft endangering humans, including baby
  • massive military armament, repeatedly
  • gunfire to kill, graphic with blood splatter
  • use of high frequency sound to disable with pain
  • action violence - medical rescue
  • action violence - military aggression
  • graphic surgical procedure with gore
  • seizure violence
  • electrocution violence, possibly leading to death (murder)
  • government deceit of people throughout
  • physical altercation from pick pocketing leading to death by heart attack
  • petty theft, repeatedly
  • portrayal of civil chaos
  • other sequences of action violence, some with deaths
  • child in peril
  • deaths by fantasy parasites, repeatedly, some graphic
  • intense incineration sequence
  • reckless driving with endangerment

    Impudence/Hate (I) - 73 out of 100
  • child arrogance toward and defiance of parent, repeatedly
  • lie to protect child from reality
  • one use of the three/four letter word vocabulary
  • deceit to subvert government functions

    Sexual Immorality (S) - 70 out of 100
  • full side nudity, male, two views
  • speaking of cohabitation of a parent with an unmarried partner as acceptable option by a child
  • inappropriate touch during portrayal of custodial seizure

    Drugs/Alcohol (D) - 90 out of 100
  • drunkenness while driving with a child in the vehicle

    Offense to God (O) - 66 out of 100
  • three uses of God's name in vain, all without the four letter expletive
  • mockery of faith-based beliefs
  • favoring of the earth over its inhabitants (Gaianism?)

    Murder/Suicide (M) - 90 out of 100
  • murder of police officer by sandwiching him between two cars

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    There are some in the entertainment industry who maintain that 1) violent programming is harmless because no studies exist that prove a connection between violent entertainment and aggressive behavior in children, and 2) young people know that television, movies, and video games are simply fantasy. Unfortunately, they are wrong on both accounts." And "Viewing violence may lead to real life violence." I applaud these associations for fortifying 1 Cor. 15:33. Read the rest of the story. From our years of study, I contend that other aberrant behaviors, attitudes, and expressions can be inserted in place of "violence" in that statement. Our Director - Child Psychology Support, a licensed psychologist and certified school psychologist concurs. For example, "Viewing arrogance against fair authority may lead to your kids defying you in real life." Or "Viewing sex may lead to sex in real life." Likewise and especially with impudence, hate and foul language. I further contend that any positive behavior can be inserted in place of "violence" with the same chance or likelihood of being a behavior template for the observer; of being incorporated into the behavior mechanics and/or coping skills of the observer. In choosing your entertainment, please consider carefully the "rest of the story" and our findings.

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